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Illustration, he reasoned, would foreground an artist's imagination rather than the labor that goes into building each car.\u003c\/p\u003e\n\u003ch2\u003eThe five cars\u003c\/h2\u003e\n\u003cp\u003ePhilip Gordon photographed \u003cem\u003eLet the Good Times Roll\/Soy Como Soy\u003c\/em\u003e, a blue 1946 Chevrolet Fleetline, and \u003cem\u003ePocket Change\u003c\/em\u003e, a green 1987 Oldsmobile Cutlass Supreme. 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The template he set — the athlete as public figure, willing to say something unpopular — is one that generations have followed since. His mark shows up in hip-hop, in politics, and in the way Americans talk.\u003c\/p\u003e\n\u003cp\u003eOn his death, former President Barack Obama said Ali shook up the world, and that the world and all of us are better for it.\u003c\/p\u003e\n\u003cp\u003eWhat defined him was never only the record. It was conviction, generosity, and a durable belief in love and in people. That spirit still moves those who encounter it, and the name he claimed — \"The Greatest\" — has outlived him.\u003c\/p\u003e\n\u003ch2\u003eIssue details\u003c\/h2\u003e\n\u003cp\u003eThe Muhammad Ali stamps come in panes of 20. 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Skill, charisma and sheer screen presence won him an audience that has never really gone away, and his influence still runs through action film, popular music, and the development of mixed martial arts. This stamp honors him.\u003c\/p\u003e\n\u003ch2\u003eThe artwork\u003c\/h2\u003e\n\u003cp\u003eThe stamp reproduces Mak's black-and-white painting of Lee mid-kick, worked in egg tempera over traditional gesso. Behind him is what Alcalá describes as a calligraphic yellow brush stroke — a nod to the yellow tracksuit Lee wore in \u003cem\u003eThe Game of Death\u003c\/em\u003e, a film finished and released only after his death.\u003c\/p\u003e\n\u003cp\u003eBRUCE LEE and USA FOREVER run vertically down the right edge, tilted so that the kick appears to be splitting them apart. Setting LEE and USA in bold sharpens the effect. 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Enslaved, yet educated and moving among prominent social connections, she held a position almost no one else in colonial America occupied. Readers on both sides of the Atlantic were taken with her poems, which carry a quiet commentary on her own era, and writers have been drawing on her example ever since.\u003c\/p\u003e\n\u003ch2\u003eThe portrait\u003c\/h2\u003e\n\u003cp\u003eKerry James Marshall drew the stamp art in ink on paper, in black and white, imagining Wheatley later in life at work on a second book of poems that was never published.\u003c\/p\u003e\n\u003cp\u003eThe composition deliberately recalls the only portrait made in her lifetime — the engraved frontispiece of her 1773 book. Marshall keeps the clothing and the desk, but turns her from profile to face the viewer directly. 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This Priority Mail stamp carries the James Webb Space Telescope's image of it.\u003c\/p\u003e\n\u003ch2\u003eWhat Webb is showing\u003c\/h2\u003e\n\u003cp\u003eA cage-like structure of dust partly encloses a pale blue glow — synchrotron emission, which reads on the image like drifting smoke. The source is the pulsar at the nebula's center: a dead star spinning rapidly with a powerful magnetic field. The blue filaments trace that field, producing the ribboned, smoky effect.\u003c\/p\u003e\n\u003ch2\u003eWhy it is on a stamp\u003c\/h2\u003e\n\u003cp\u003eWebb was built to observe some of the oldest and most distant objects in the universe, and its findings are steadily rewriting what is known about galaxies, exoplanets and star formation — continuing work begun by Hubble and other space telescopes. 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